当地时间2025-11-11,rrrrdhasjfbsdkigbjksrifsdlukbgjsab

新华社香港9月14日电 题：阅尽千帆 “船”承匠心

谢妞

夕阳西沉时，海面被落日余晖映照得波光粼粼，维多利亚港迎来极具诗意的时刻：两岸的高楼大厦灯光渐次亮起，海面上一艘夺目的红色中式木帆船徐徐驶过……这“一抹红”成为维港标志性一幕，让不少访港旅客印象深刻。

“在香港的高楼之间登上了一艘江湖慢船，现代繁华与传统情怀在这片海面上完美交融。”来自上海的旅客顾佳宁看着海面上的“张保仔号”感慨道。

一双巧手，将参天原木打造成可扬帆出海的木船。这艘独具香港文化特色的传统中式木帆船，就是“张保仔号”帆船，由香港光明船厂第三代传人区世杰和他的父亲区渭手工打造。

走进筲箕湾阿公岩，一排铁皮屋尽入眼帘，绿色招牌上写着“光明船厂”四个大字。船厂共有两层，底层较昏暗，铺满木材及拖船工具，连接着室外小码头。采访当日，平日在维港穿梭的“张保仔号”停泊在船厂外的小码头等待日常检查。

记者跟随区世杰回到船厂内部，他打开一个精致木箱，从一叠叠牛油纸中抽起一卷，小心翼翼地摊开——这正是当年“张保仔号”的图纸，上面各类数字、形状等皆有详细标注。

TheWhispersandEchoesofTouch

"Ah,haotong,en,qingyidiano…"Thewordsthemselves,adelicatetapestryofsoundandmeaning,weaveastoryasoldashumanityitself.Theyspeakoftheprofoundandoftenparadoxicalnatureoftouch,themostprimalofoursenses.Itisalanguagespokenbeforewords,abridgebuiltbetweensouls,capableofconveyingeverythingfromthemostexquisitepleasuretothemostsearingpain.Thisseeminglysimplephrase,"Ah,haotong,en,qingyidiano,"capturesaspectrumofsensoryexperience,arawandvulnerablecommunicationthatresonatesdeeplywithinus.

Considerthegentlecaress,thebutterfly’skissupontheskin.Itcanelicitasoftsigh,acontentedhum,asubtlesurrendertothemoment.Thisisthe"en"ofpleasure,aquietacknowledgmentofcomfortanddelight.It’sthefeelingofawarmhandonafeveredbrow,thegentlestrokeofalovedone’shair,thecomfortingembraceafteralongday.Thesearethemomentsthatanchorus,thatremindusofourconnectiontotheworldandtoeachother.Theskin,ourlargestorgan,isacanvasofcountlessnerveendings,eachwaitingtotranslatetheworld’stouchintoelectricalsignalsthatdancetheirwaytoourbrains,paintingarichtapestryofsensoryinput.This"en"isn'tjustasound;it'saphysiologicalresponse,acascadeofendorphinsandoxytocin,the"feel-good"hormonesthatfosterbondingandwell-being.It'sthewhisperofcontentment,thequietechoofpeace.

Buttouchisadouble-edgedsword.Thesamepathwaysthatregisterthesoftestwhisperofpleasurecanalsoscreamwiththeintensityofpain."Haotong"–howintenselythisphrasecutsthroughtheair,avisceralcryofdistress.It’sthesharpstabofaninjury,theburningacheofawound,thethrobbingdiscomfortofanillness.Thispain,thoughunpleasant,servesavitalpurpose.It’sourbody'salarmsystem,acriticalwarningsignalthatsomethingiswrong,urgingustoprotectourselvesandseekrelief.Thewaywecommunicatethispain,thenuancesinourvoice,thetensioninourbodies,allcontributetohowitisperceivedandaddressedbyothers.Asharpintakeofbreath,awince,afalteringplea–thesearethenon-verbalcuesthataccompanythevocalizationofpain,paintingamorecompletepictureofsuffering.

Andthenthere'sthedelicatedanceof"qingyidiano,"thepleaforgentleness.Thisiswherethetwoextremesoftouch,pleasureandpain,convergeinaprofoundrequestforconsiderationandcare.Itacknowledgesthepotentialforbothtoexistwithinasingleinteraction.Imagineatherapeuticmassage,wherethetherapistnavigatesknotsandtension.Theclientmightinitiallyfeelatwingeofdiscomfort,a"haotong,"promptingthemtouttertherequest,"qingyidiano."Thetherapist,attunedtothisfeedback,adjuststheirpressure,transformingthepotentiallypainfulexperienceintooneofhealingandrelease.Thisistheartistryoftouch,theabilitytomodulatesensation,toguideit,tounderstanditsboundaries.It'sanintimatenegotiation,asilentagreementbetweengiverandreceiver,whereempathyandresponsivenessareparamount.

Thisdelicatebalanceextendsbeyondphysicaldiscomfort.Itpermeatesouremotionallandscapeaswell.Aharshword,adismissivegesture–thesecaninflictemotionalwoundsthatstingasdeeplyasanyphysicalinjury.Conversely,acompassionatetouch,areassuringhandontheshoulder,cansootheanxietiesandoffersolace.Thephrase"Ah,haotong,en,qingyidiano"canbeametaphorfornavigatingtheseemotionalterrains.Wemightfeelthe"haotong"ofrejectionorcriticism,andinourvulnerability,wemightwhisperapleafor"qingyidiano,"hopingforunderstandingandagentlerapproach.The"en"inthiscontextcouldbethequietsighofreliefwhenourpleaisheardandmetwithempathy,amomentofemotionalhealing.

Thesciencebehindtouchisequallyfascinating.Oursomatosensorycortex,locatedintheparietallobeofthebrain,isresponsibleforprocessingtactileinformation.Differentareasofthiscortexarededicatedtospecificpartsofthebody,creatinga"sensorymap."Whenweexperiencetouch,theseareaslightup,sendingsignalsthatareinterpretedaspressure,temperature,texture,andpain.Theintensityandnatureofthesensationdependonthetypeofmechanoreceptorsactivated–forinstance,Meissner’scorpusclesarehighlysensitivetolighttouchandchangesintexture,whilePaciniancorpusclesrespondtodeeppressureandvibration.Painreceptors,knownasnociceptors,arespecializedneuronsthatdetectpotentiallydamagingstimuli,triggeringwithdrawalreflexesandsendingsignalsofpaintothebrain.Theinterplayofthesedifferentsystemscreatesthecomplexandrichexperienceoftouchthatdefinessomuchofourinteractionwiththeworld.

Furthermore,thecontextinwhichtouchoccursdramaticallyaltersitsperception.Thesamegentletouchfromalovedonecanbeasourceofimmensepleasure,whilethesametouchfromastrangermightevokeuneaseorevenfear.Thisiswhereourlimbicsystem,particularlytheamygdala,playsacrucialrole,processingemotionalresponsesandevaluatingthesafetyofasituation.Ourpastexperiences,culturalnorms,andindividualsensitivitiesallcontributetohowweinterpretandreacttotouch.Aplayfulnudgebetweenfriendscarriesadifferentmeaningthanaforcefulshove.Theintentbehindthetouch,therelationshipbetweentheindividuals,andthesocialenvironmentallweavetogethertocreateauniquesensoryandemotionalnarrative.Thephrase"Ah,haotong,en,qingyidiano"isauniversalexpressionthattranscendsthesecontextualvariations,speakingtothecorehumanexperienceofvulnerabilityandtheneedforcareful,mindfulinteraction.

TheArtofConnectionthroughGentleIntervention

Thephrase"Ah,haotong,en,qingyidiano"isnotmerelyanexpressionofimmediatephysicalsensation;itisamicrocosmofhumanconnection,negotiation,andthedelicateartofintimacy.Itencapsulatesamomentwherevulnerabilitymeetsresponsiveness,wheretheneedforcareisarticulatedand,ideally,metwithunderstanding.Thisisparticularlyevidentinrelationships,wheretouchservesasafundamentalmodeofcommunication,oftenconveyingemotionsthatwordsfailtoexpress.

Inromanticrelationships,thecarefulmodulationoftouchisparamount.Alover’stouchcanbeasourceofprofoundpleasure,acascadeof"en"sighsthatspeakofsharedjoyanddeepconnection.Yet,evenwithinsuchintimacy,therecanbemomentsofdiscomfort,aslight"haotong,"perhapsfromanoverzealouscaressoranunexpectedpressurepoint.Theabilitytothenarticulateagentleplea,"qingyidiano,"isnotasignofweakness,butofstrengthandself-awareness.It’saninvitationforthepartnertobemoreattuned,todeepentheirunderstandingoftheother'sphysicalandemotionallandscape.Thisopencommunication,bornfromthewillingnesstoexpressdiscomfortandthepartner'sreciprocalresponsiveness,strengthensthebond.Itfostersasenseoftrustandsafety,whereeachindividualfeelsseen,heard,andrespectedintheirbodilyautonomy.Thisnuancedinterplay,movingfrompotentialdiscomforttoagentleadjustment,isthebedrockofafulfillingphysicalintimacy.It’stheongoingdanceofgivingandreceiving,ofassertingneedsandhonoringthoseoftheother.

Beyondromanticlove,thisprincipleextendstofamilialbonds.Aparent’stouch,whencomfortingachildwhohasfallenandscrapedtheirknee,perfectlyembodiesthisphrase.Theinitialcryof"haotong!"ismetwithasoothingvoiceandgentlehands.Theparent'stouchisdeliberatelymeasured,asoftexplorationoftheinjury,offeringreassuranceandalleviatingpain.Thechild'stentative"en"ofrelief,followedbyawhispered"qingyidiano"asthewoundiscleaned,illustratesthegradualprocessofhealingandtrust-building.Thistactilecommunicationreinforcesthechild'ssenseofsecurity,teachingthemthattheirpainwillbeacknowledgedandaddressedwithcare.It’safoundationallessoninvulnerabilityandmutualcare.

Therealmoftherapeutictouch,fromphysicaltherapytomassage,isanotherareawherethisphraseholdssignificantmeaning.Askilledpractitionerunderstandsthatpainisaninevitablepartofthehealingprocessformanyconditions.Theylearntoreadthesubtlecuesfromtheirclients–theflinch,thetensedmuscles,theinvoluntaryvocalizations–thatsignal"haotong."Theirexpertiseliesintheirabilitytorespondwith"qingyidiano,"toadjusttheirtechnique,andtoguidetheclientthroughdiscomforttowardsreleaseandrecovery.Theultimategoalistoelicitthe"en"ofrelief,thequietacknowledgmentthatthepainissubsidingandthatprogressisbeingmade.Thisisnotaboutavoidingpainaltogether,butaboutnavigatingitskillfullyandcompassionately,transformingapotentiallynegativeexperienceintoapositive,restorativeone.Thetherapist’stouchisaformofempatheticintervention,aphysicaldialogueaimedatrestoringbalanceandwell-being.

Thepsychologicalimplicationsoftouchareequallyprofound.Ournervoussystemisremarkablyadaptive,andrepeatedexposuretocertaintypesoftouchcanleadtodesensitizationorsensitization.Forindividualswhohaveexperiencedtrauma,touchcanbeaparticularlysensitivearea.Thephrase"Ah,haotong,en,qingyidiano"canrepresenttheirjourneytowardsreclaimingtheirbodiesandtheirsenseofsafety.Itmayinvolveaslow,deliberateprocessofre-engagingwithtouch,startingwiththegentlestofsensationsandgraduallyincreasingintensityascomfortandtrustareestablished.Thisprocessrequiresimmensepatience,understanding,andadeeprespectforindividualboundaries.It’saboutempoweringtheindividualtocommunicatetheirlimitsandtofeelincontroloftheirsensoryexperiences.

Furthermore,theconceptof"gentleintervention"canbeappliedmetaphoricallytohowweinteractwitheachotherineverydaylife.Whenweofferfeedback,expressdisagreement,ortrytohelpsomeonenavigateadifficultsituation,ourapproachcanbethoughtofasaformof"touch."Aharsh,unyieldingapproachcaninflictemotional"haotong,"causingdefensivenessandalienatingtheotherperson.Conversely,a"qingyidiano"approach–characterizedbyempathy,carefulwording,andawillingnesstolisten–ismorelikelytoleadtoapositiveoutcome,an"en"ofunderstandingandresolution.It’saboutrecognizingthepotentialforemotionalpaininourinteractionsandchoosingtoactwithadegreeofsensitivityandcare.Thismindfulcommunicationfostersstrongerrelationshipsandamoresupportivesocialenvironment.

Inconclusion,theseeminglysimplephrase"Ah,haotong,en,qingyidiano"isapowerfulreminderofthecomplexandmultifacetednatureoftouch.Ithighlightstheinherentvulnerabilityinoursensoryexperiences,thecriticalroleofcommunicationinnavigatingpainandpleasure,andtheprofoundimpactofgentle,responsiveinteractioninbuildingconnection,fosteringhealing,anddeepeningintimacy.Whetherintherealmofphysicalsensation,emotionalconnection,orinterpersonalcommunication,theartoftouch,particularlywhenguidedbyempathyandadesireforgentleness,remainsoneofourmostfundamentalandpotenttoolsfornavigatingthehumanexperience.It'sacontinuousnegotiation,adanceofawarenessandresponsiveness,thatshapesourrelationshipsandourunderstandingofourselvesandtheworldaroundus.

“张保仔号”诞生于2006年，彼时的船厂因订单减少陷入经营困难。“偶然经人介绍，有一个客户要订做一艘营业船，但因为结构特别复杂，业内少有人敢接单。”看到设计图纸后，连经验丰富的这对父子也犯了难。

“张保仔号”高高竖起的三根桅杆，帆布张扬，与以往营业船相去甚远。区世杰介绍，与钢铁船或纤维船相比，木船在海浪过后能更快恢复平稳，夏天船舱内温度也更舒适。用多长多厚的木头、怎样处理、要刨掉多少，都靠师傅判断。“即使是0.5厘米的误差，都足以令木板无法接合、发生漏水。”

“这是我从业以来第一次做体积如此庞大的营业船。”区世杰说。

出于“大胆试试，总好过倒闭”的念头，父子俩耗时约9个月建成“张保仔号”。这一当年为维持船厂经营接下的订单，从此成为区世杰引以为傲的作品。“看着自己做的这艘标志性中式帆船，在维港上载着世界各地的乘客看香港风景，真的很自豪。”

香港开埠后成为亚洲重要的贸易转口港，维多利亚港的船只络绎不绝，也造就了香港造船业的蓬勃发展。

光明船厂由区世杰的外祖父于20世纪50年代创立，再由其父亲区渭接手。区世杰从13岁起和父亲学习造船技术，经手的大小船只数十艘。父亲并非采用传统的“手把手”教学，而是让他在不同工序中担任“补位帮手”，在实践中积累经验。

“起初总想尝试走捷径，省略复杂的工序，结果犯错只能推倒重来。其实造船和做人一样，要稳扎稳打。”区世杰说。

他回忆说，上世纪80年代是船厂鼎盛时期，除六七个自家伙计外，还要聘请三四十名工人一同帮忙，才得以应付造船订单。香港海面上有五成至六成营业船出自这里，它们接载游客、居民、工人等往返各地，其中包括久负盛名的海上餐厅珍宝海鲜舫的接驳艇。

然而，随着较为轻便的新型船只兴起，传统手工木船由于原料价格昂贵等原因，历经三代人传承的船厂生意逐渐下滑，市场上造船的需求近乎绝迹，船厂业务主要从造船转为维修船只、清洗船底等。

如今，六旬的区世杰已经是香港造船业内较为年轻的造船师傅。他笑言，自己能做多少就做多少。近几年，陆续有团体到船厂参观，区世杰也准备了许多香港在中式帆船制造方面的小故事，希望让更多年轻人对这项技艺产生兴趣。

区世杰兴致勃勃地带着记者上了船厂二楼，过去35年他居住在此。千帆过尽，岁月静好，平日他会在这里组装不同样式的中式帆船。这方天地也成为他的“私人珍藏馆”，摆满各式各样的船模型，“张保仔号”模型赫然在列。

“我始终觉得中式帆船是最漂亮的。”区世杰目光灼灼，毫不掩饰对中式帆船的喜爱。他依然期待着有机会再现香港制造的精湛技艺，让更多中式帆船在维港扬帆。

图片来源：奥一网记者 宋晓军 摄

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